Best Albums of 2009
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We knew this day would come. The Dirty Projectors were one of those bands that just got better and better with each new release, and on Bitte Orca, 2009’s indie breakout hit and the Projector...read more
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We were all expecting great albums from Animal Collective, Grizzly Bear and Flaming Lips in 2009, but this record arrived with little fanfare and knocked us for a loop. Mulatu Astatke (born 1943) i...read more
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The Pains of Being Pure at Heart gave us the first great debut of 2009, an album exploding with hooks, energy, style and unabashed enthusiasm. The band’s name is no affectation: This local dr...read more
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At War with the Mystics was a respectable placeholder, and instrumental soundtrack Christmas on Mars holds an auspicious place in the Flaming Lips’ catalogue, but to fans who’ve been waiting years ...read more
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Be right with you, I’m having a low-grade psychedelic experience with the cover of Yacht’s new See Mystery Lights. Wow, it’s — I see them, the mystery lights! Once you stop your d...read more
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It’s hardly a revelation at this stage that Grizzly Bear had a good year in 2009. When a Brooklyn psych-folk act makes the Billboard Top 10 (we’re not kidding), that’s news. But i...read more
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Bromst is one hour of the most thrilling and exuberant pop we heard all year, as well as one of the most fresh, exciting and inventive in the electronic-pop field. Deacon, of Baltimore’s aptl...read more
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When Merriweather Post Pavilion arrived, we sold out of the vinyl pressing in about a day, and had to hear “Do you have…?” for weeks. As if we needed any hint that this record wou...read more
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What a year for the UK artist known as Bibio, a.k.a. Stephen James Wilkinson. Not long ago he hovered just under the folktronica radar as a Boards of Canada acolyte. This year he jumped from Mush t...read more
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Words will never quite be enough for Woods. Not to suggest this Brooklyn outfit is The. Greatest. Thing. Ever!, just that when I tell you Songs of Shame is a collection of ramshackle floaty folk-ro...read more
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Only French people could do something so clearly unoriginal and yet make it seem perfectly right and natural and cool. Wolfgang Amadeus Phoenix sounded best during the warm months, but it’s a...read more
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St. Vincent (Annie to her family, the Clarks) returned this year to prove her debut was no fluke. On Actor, Clark leads with her cute, pointy chin, updating the ambitiously composed songs that made...read more
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Artists who’ve been around as long as Neko Case, and who’ve been roundly celebrated by critics and cash registers alike, tend to get taken for granted after a certain point. Yet Middle ...read more
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It is very rare that a band returns from a 16-year hiatus and makes as much of an impact as Dinosaur Jr. have since reforming. Granted, J Mascis never went anywhere in the interim, but truth be tol...read more
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Andrew Hung and Benjamin John Power of Bristol-based electro duo Fuck Buttons are noisy experimentalists, but they are devoted to rhythm. On this gorgeously assaultive second LP, a typical track wi...read more
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Artistically perhaps the biggest record of the year, Fever Ray‘s self-titled debut is the sound of one Knife cutting. Of course, this isn’t your standard debut – Fever Ray is Kari...read more
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Everyone who fell under the spell of UK hippie-goth siren Natasha Khan’s 2007 debut, Fur and Gold, had the same worry: Would the attention paid to it (and its not very unattractive creator) s...read more
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The group’s name and album title seem like some sort of postmodern tip of the hat: take archetypes and reduce the rock album to its essence. It’s a fake-out, though: at its best, this is as emotion...read more
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For months this record just flew out the door. For months after that, it walked briskly. Basically, Dark Was the Night has been the hottest indie-comp of the year — no real surprise consideri...read more
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Here comes the supergroup of our time, an indie Traveling Wilburys. With a name like Monsters of Folk, this could’ve gone either way, really bad or really great; thankfully it’s the lat...read more
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Thee Oh Sees on In the Red: In this age of suffering and unenlightenment, finally, something just plain makes sense. John Dwyer & Co.‘s latest follows in the style of their lastest, ??The...read more
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The greatest musicians are those that are not easily classified. As a solo artist, collaborator and producer, Jim O’Rourke has displayed an uncanny ability to create music that is at once fam...read more
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One of Gertrude Stein‘s keenest quotes: “For a very long time everybody refuses and then almost without a pause almost everybody accepts.” This year is when things pivoted for Cas...read more
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Blog-rock of the most adorable stripe, the Antlers’ Hospice — originally self-released before being plucked by French Kiss and becoming a genuine indie hit — is full of highly ant...read more
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Don’t blink: Between now and when you finish this paragraph, Real Estate, a young North Jersey quartet, may have released another album, an EP and a couple of side-projects. But before they b...read more
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Kurt Vile may not be a star yet, but we expect that to change soon. In our little corner of the world, this Philly-based rocker took us by storm. On his third release and first for Matador, Vile st...read more
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This Canadian duo’s ongoing fame and acclaim are due to the fact that, deep within their Internationalist techno-pop, you can still hear their early-period bedroom-beat sensibilities. Put Jun...read more
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This is no easy to review to write, as we’re all still stunned at the sudden passing of Jack Rose, who died on Dec. 5 at the age of 38. For those of us who value the beauty and wonder of the ...read more
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What’s in a name? Here We Go Magic is the new nom de musique employed by indie singer-songwriter Luke Temple, whose previous work was solid if a bit unremarkable. Things have changed: The reb...read more
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Scot-pop outfit Camera Obscura is one of the few bands to whom we’ll give a pass on making the same record a coupla-few times. Which is good, because My Maudlin Career, the group’s four...read more
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Sonic Youth’s return to the indie ranks resulted in no major changes from their previous song album, 2006’s Rather Ripped. The Eternal still features lots of moody mid-tempo grooves; the text...read more
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This London quartet’s cool, quiet ditties exude DIY charm. Sometimes, with their quiet male/female vocal tandem, they seem to be reworking the dreamy end of the post-punk spectrum, as if Young Marb...read more
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Across the almost 50 minutes and 23 tracks of this experimental “mini-album,” Birmingham’s suave mod-futurists Broadcast trade snippety notions with longtime album artist and Ghost Box Music founde...read more
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The Mountain Goats’ sixth album on 4AD finds them in trio formation: John Darnielle and Peter Hughes are here joined by *Superchunk*’s Jon Wurster on drums. It’s the most dynamic “full-band” Mounta...read more
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The Crying Light is another heartbreakingly beautiful record from Antony Hegarty, at once complementary with his most recent full-length, 2005’s stupendous I Am a Bird Now, and wholly indepen...read more
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We don’t like it when someone tampers with a good thing, so we weren’t sure at first what to make of the Papercuts’ latest, You Can Have What You Want. Few bands can deliver the k...read more
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Monoliths & Dimensions is a fantastic display of that hugeness you’ve likely read about in stories on this band and the new avant-doom-metal scene that orbits it. What no amount of hype c...read more
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Fans of canonical indie-rock: If you haven’t already hupped to it with Cymbals Eat Guitars in the wake of the notice Pitchfork gave to this album, well, it’s not too late. This scattere...read more
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