Music
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This is the album that got Stevens his first taste of fame (as far as anyone can taste fame in indie rock these days), and justifiably so. It’s a gorgeous epic and musical homage to his nativ...read more
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In between his American epics (Michigan and Illinois) Sufjan Stevens released this touching folk record.read more
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The Mountain Goats have become so popular in recent years that many don’t realize that John Darnielle, the band’s leader (and often its lone member), has been at this for quite some tim...read more
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Bright Eyes' undisputed best album. OK, a few may dispute that. It's superb.
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"When Bright Eyes brainchild Conor
Oberst issued Lifted or The Story Is in the Soil, Keep Your Ear
to the Ground in August 2002, he was 22 years old. Critics were
already calling him the "indie ...read more
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You Are Free arrives nearly five years from her last album of original material, and everything, yet nothing, has changed about Chan Marshall's music. Initially, the album seems more diffuse ...read more
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On the The Covers Record, Chan Marshall continues her evolution into a remarkably expressive interpreter of songs; her earlier covers of Pavement's "We Dance" and Smog's "Bathysphere" are among her...read more
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Cat Power's 1998 album Moon Pix continues Chan Marshall's
transformation from an indie rock Cassandra into a reflective,
accomplished singer/songwriter. Where her previous works were an urgent,
...read more
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What Would the Community Think was the second album Chan Marshall
released in 1996, but its richness suggests a longer period of
evolution. From the first warm notes of "In this Hole," it's clear...read more
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Cat Power's first full-length album, Dear Sir, spotlights Chan Marshall's
demanding but rewarding songwriting. Her distinctive blend of blues,
country, folk and punk creates songs like the dark, ...read more
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The 1996 album Myra Lee presents a more diverse and fully developed version of Cat Power's
music, ranging from the winding, acoustic menace of "Enough" to the
sinewy rock of "We All Die." Introsp...read more
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The Russian-born, Bronx-bred Spektor’s second album is another fine batch of tunes, led by her fiery, passionate voice and stellar songwriting. Once again Spektor reveals an uncanny knack for...read more
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After getting rowdy for two albums, Bonnie “Prince” Billy returns to the melancholic moan that made him famous. This time, though, the backing’s a little fancier, with a string quartet ...read more
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"A.C. Newman is Carl
Newman. You may know him as the main dude in underrated pop heroes Zumpano;
you may know him as the leader of the justly-rated New
Pornographers; you may even remember him a...read more
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This might just be the most ambitious record I’ve heard all year. I could go on in great detail about the metaphorically loaded packaging and the heavily referential lyrical excursions on Joa...read more
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You gotta love how some things just gather steam on their own and become—well, “hyped” seems the wrong word to apply to this music, such are its humble charms and origins. Connie ...read more
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Polly Jean Harvey is one of an increasingly rare breed: a genuine artist and a bona fide rock star, someone who commands attention in any room, someone whose every move is worth watching. A Woman a...read more
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Like his labelmate Will Oldham, Bill Callahan has spent his long career honing, altering, adding to and subtracting from an identity that has acted as a conduit for a now staggering amount of excep...read more
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St. Vincent (Annie to her family, the Clarks) returned this year to prove her debut was no fluke. On Actor, Clark leads with her cute, pointy chin, updating the ambitiously composed songs that made...read more
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Iron and Wine’s new two-CD/three-LP set compiles B-sides, rarities, and outtakes from one of the best songwriters and most charismatically intimate performers of the decade. Sam Beam’s soft, ...read more
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The follow-up to Regina Spektor‘s 2006 breakthrough, Begin to Hope, is every bit as gorgeous and whimsical as you’d expect. It’s no secret that she can work magic with a piano and...read more
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One of Gertrude Stein‘s keenest quotes: “For a very long time everybody refuses and then almost without a pause almost everybody accepts.” This year is when things pivoted for Cas...read more
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This is the third release in Numero’s Wayfaring Strangers series of folk compilations, this one focusing on obscure ’70s male American singer-songwriters (though the release dates among the 1...read more
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Those of you outside of our fair city may not have reason to know it, but as real New York bands go — the ones who sound like they could only be from New York, who ooze sultry (and mythical) ...read more
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Ah, la belle Charlotte. Given everything we know about her — the impeccable pedigree, the great films, the outright personification of roughly 50 years of cool French culture, all contained i...read more
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After years of being lumped into the "post-rock" ghetto (whatever and wherever that is), the roving band known as Windsor for the Derby reveals its true genre on Against Love: What this now Austin-...read more
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The age-old border between techno chill and pop-analog warmth has been breached once and for all on Matthew Dear's new opus, Black City. Granted, Dear is hardly new to this; he's been edging toward...read more
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This blessed record is everything you'd want and more from the former (and probably, once again) Sleater-Kinney principal. On her first sort-of solo album, Corin Tucker shows that even the most acc...read more
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