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  <body-html>&lt;p&gt;Twenty years on, they still kick ass, seeming reinvigorated for the past few years. Mark Arm&#8217;s trademark smart-ass lyrics are at their best (with occasional forays into serious darkness). His witty wordplay on the opening track, &#8220;I&#8217;m Now,&#8221; manages within the space of a few lines to reference &lt;strong&gt;Robert Johnson&lt;/strong&gt; (&#8220;the black light was my baby and the strobe light was my mind&#8221;) (perhaps via the &lt;strong&gt;Rolling Stones&lt;/strong&gt;), &lt;strong&gt;Captain Beefheart&lt;/strong&gt; (&#8220;the past made no sense, the future looks tense&#8221;), and &lt;cite&gt;The Beverly Hillbillies&lt;/cite&gt;. Does it rock? As viciously and rawly as they have in a long time, from start to finish, with no letup. The horns heard on the past couple of albums are gone, perhaps exiled because Steve Turner has come up with a batch of fuzz-riffs so brutal and monumental that nothing else is needed beyond the solid beats of Dan Peters and the fat bass of Guy Maddison. Grunge lives! (Steve)&lt;/p&gt;</body-html>
  <created-at type="datetime">2008-05-23T15:57:23-04:00</created-at>
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  <title>Mudhoney: The Lucky Ones</title>
  <updated-at type="datetime">2008-05-23T15:57:23-04:00</updated-at>
  <vendor>Sub Pop</vendor>
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  <body>Twenty years on, they still kick ass, seeming reinvigorated for the past few years. Mark Arm&#8217;s trademark smart-ass lyrics are at their best (with occasional forays into serious darkness). His witty wordplay on the opening track, &#8220;I&#8217;m Now,&#8221; manages within the space of a few lines to reference *Robert Johnson* (&#8220;the black light was my baby and the strobe light was my mind&#8221;) (perhaps via the *Rolling Stones*), *Captain Beefheart* (&#8220;the past made no sense, the future looks tense&#8221;), and ??The Beverly Hillbillies??. Does it rock? As viciously and rawly as they have in a long time, from start to finish, with no letup. The horns heard on the past couple of albums are gone, perhaps exiled because Steve Turner has come up with a batch of fuzz-riffs so brutal and monumental that nothing else is needed beyond the solid beats of Dan Peters and the fat bass of Guy Maddison. Grunge lives! (Steve)</body>
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